The Black Dahlia Murder (TBDM) is a melodic death metal/metalcore band from Waterford, Michigan, and is a leader in the Detroit metal music scene. The Black Dahlia Murder is named after the unsolved murder of actress Elizabeth Short, often referred to as Black Dahlia.

The band played in Ozzfest 2005 and also participated in the Sounds of the Underground tour in 2006, which encompasses both the United States and Canada. They also played at Wacken Open Air in 2007.
Current bassist Bart Williams left his former band, Detroit's Today I Wait, to tour with the Black Dahlia Murder. After touring with the band on their co-headlining gig with Throwdown and their European dates with Liar, he joined the group full-time. Bart was one of two engineers (the other being Walls of Jericho's Mike Hasty) on the band's first full-length album, Unhallowed.

Strnad’s growth as a lyricist is just one of the ways the band expanded its sound on Miasma. Guitarist Brian Eschbach contributed more to the writing process while his counterpart John Kempainen wrote and played solos for every track. As a result, The Black Dahlia Murder—rounded out by bassist Dave Lock—have created an album that reflects the bonds cemented by the band’s two-year odyssey. Recorded and co-produced with the band by Scarlet drummer Andreas Magnusson at Planet Red Studio in Richmond, Virginia, Miasma is a deadly reinvention of The Black Dahlia Murder’s nefariously nasty melodic death metal sound. It is a sound that Kempainen simply describes as “more pissed off.” Strnad sees other improvements, as well, however. “The new songs are much heavier than anything on Unhallowed,” he declares. “We were making a conscious effort to challenge ourselves as players and give each song an identity of its own. And the addition of Zach has enabled us as a unit to write more complex and interesting arrangements.”

Miasma is just the latest chapter in the ever-twisted saga of The Black Dahlia Murder. Like the long-unsolved murder of a young Hollywood starlet that the band took its name from, The Black Dahlia Murder’s appeal is visceral and dark, a terror-filled exploration of extreme sounds and vicious brutality. And it is a step closer to the apex the band is still aiming its sights for. “I feel that we are yet to reach our prime,” says Strnad, “but Miasma is many steps closer to where we want to be. We have a better band in 2005 and now a record to show for it.”

Read more about The Black Dahlia Murder, click here: